down hominess
first, its typical of anyplace in the world where there are more visitors than residents. a hundred or so shops, selling all the usual junk; t-shirts and mass-produced 'artisan' carvings out of wood and bone, brilliant 'rare' ammolite jewelery hauled out of north africa by the truckload, shot glasses emblazoned with local images, et cetera. most of it making the pacific rim trek via southeast asia for north american consumption.
i did not enter any of these places.
the place itself is rather picturesque, i have to admit. nestled between mountain and sea, its not hard for me to imagine why a person might want to cut ties from wherever they were and live out their lives here.
after an hour or so on walk-about, i found myself on the other end of town in a small independent bookstore.
the first thing to catch my interest was in native history:
"there is nothing gentle about killing animals for food, whether pulling a twenty-five year old halibut from the sea by hook and gaff, slamming a cow on the head in a slaughterhouse, or slitting a pig's throat. it is bloody, messy, up-to-your-elbows work. people either do it themselves - typically, indigenous people like the pribilovians, subsistence farmers, and hunters - or have others do it for them. and those accustomed to picking up their meat in the supermarket are often appalled by the act of killing... a total of sixty seals were killed that july morning. the harvest crew worked past noon in the field, trucked the bags of fresh seal meat back to the village, and delivered them to people's homes."
~ summer macleish, excerpted from "seven words for wind", epicenter press 1997
next, over to poetry, where i passed on a large tome by bukowski thinking that i really didn't need his grit and negativity right now. instead, this:
Like the word,
I, too, carve something new
from space. Racing tides,
advancing limitations, or
the shelf-life of some exotic dream.
Time, deposited on my hands
can leave intentions thin
as a fragile web of silt
evenly split and left by the ebb,
or rich in texture as a woman
caught in a flood wave, clothes
clinging to bosom and belly.
~ mary lou sanelli, excerpted from 'lineage', empty bowl press 1985
on then to philosophy:
"Defeat sits in a chair staring at the grey doves on the porch. He holds his hand underneath his heart, fingers curled tightly into themselves, glued together in a paralyzed rage. He is unwilling to go forward and unable to let go. He is not blind or deaf, but it is unclear who he sees or what he hears. He had a stroke six years ago and sleeps most of the day. In response to questions he answers yes or no interchangeably. Speech has lost all meaning."
~ j. ruth gendler, 'the book of qualities', harper perennial 1988
feeling as i must leave before buying too many more books i head to the counter where the proprietor asks if i'm off a ship. 'yes', says i. she says that i don't look the type, which i tend to agree. we talk of portland and powell's and reedie trustifarians. i feel at home, or close enough so, in an outpost so far from where i curl next to the fireplace.
if you're ever in ketchikan alaska and you're looking for a book that you just won't find in the gift shops or borders, or just want to chew the fat with some good folk, i recommend a visit to parnassus books. they're at number 5 creek street, past the candle shop doorway and up the stairs you can't see from the sidewalk. it's good beans.




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